Black art for people who collect it.

Galleries across the Black world rarely publish a price, and almost nobody tells you what it takes to bring a piece back through customs. This is the part that gets left out.

Real work, on sale right now in Accra, Lagos, Salvador, Atlanta and Washington DC — priced, photographed, and with the export rule attached to every piece.

The work

What you can buy right now

Every image is served from the seller's own site and links straight back to them. We take nothing and hold nothing — you buy from the gallery.

Get it home

Can you take it out, and bring it in?

Two separate questions, and collectors usually worry about the wrong one. US import is mostly permissive. The country you're standing in is where people actually get stopped.

Duty-free is a category, not a compliment

Original paintings, drawings, prints and sculpture enter the US free under Chapter 97 of the tariff schedule. Craft, textiles, furniture and anything mass-produced do not — they pay their ordinary material rate.

  • Sculpture is capped at the original work or model and the first twelve castings, replicas or reproductions. Number thirteen isn't duty-free sculpture — 19 CFR 10.48(b).
  • The canvas from an Accra gallery is Chapter 97. The carved bowl from the craft market usually isn't.
  • Your invoice must name the artist and say whether the work is original, a replica, a reproduction or a copy — 19 CFR 10.48(a).
  • Prints should carry the artist's genuine signature or mark; without it you'll be asked for other proof of authenticity — 19 CFR 10.48(d).
  • Shipments over $2,500 fall outside informal entry, which in practice means a customs broker — 19 CFR 143.21(a).
  • Buying the work buys the object, not the right to reproduce it. Copyright stays with the artist unless it is transferred in writing — 17 U.S.C. § 202.

The wood will catch you out

Not the painting — the frame and the stretcher. Phase VII of the Lacey Act declaration schedule took effect 1 December 2024 and is the broadest yet: it reaches every remaining plant-product tariff code that isn't 100% composite material, from plywood and cork to handbags and footwear. Furniture came in under earlier phases — APHIS. The whole Dalbergia genus, including African blackwood, sits on CITES Appendix II.

  • Ask for the work to ship unframed. Cheaper, safer, and it removes the species question entirely.
  • Elephant ivory is a practical total bar. There is no buy-and-import channel.
  • Shell, feather, bone and horn all trigger checks nobody expects.
  • A CITES permit comes from the country's CITES authority, not its culture ministry. A museum letter has no effect.

You are almost certainly not insured

This is the gap that costs real money, and all three layers fail differently.

  • Travel policies exclude "antiques and collector items" by name and cap around $300 per article.
  • Standard homeowner's cover is named-perils. A truck overturning is covered. A handler dropping the crate is not.
  • Shipper liability defaults to $0.60 per pound. A 40-lb canvas worth $180,000 carries $24 of carrier liability.
  • Hand-carrying internationally caps at roughly $2,000 under the Montreal Convention.

Bind a scheduled fine-art rider before the trip, with transit covered. Get the bill of sale signed and dated with artist, title, medium and dimensions — that's what you'll schedule against.

Three US import agreements lapse within months — all three are up for extension Egypt expires 30 November 2026, Bolivia 4 December 2026, Nigeria 20 January 2027. All three have an extension formally proposed and none has a final extension published as of 3 September 2026, so the restriction is live until it isn't. Egypt and Bolivia were both proposed on 26 January 2026 (Egypt, Bolivia) and reviewed by the Cultural Property Advisory Committee that March; Nigeria's went to the same committee on 14–16 July 2026 (notice). Nigeria's restrictions took effect 17 March 2022 and the rule says plainly that they “will expire on January 20, 2027, unless extended” (CBP Dec. 22-05). These do lapse for real — Ecuador's protection went dark for six weeks in 2025 before the renewal caught up. Buying older material from those three countries, check the date before you pay.

How we check this

Every price here was read on the seller's own live page on the date stamped at the top of this site — nothing estimated, nothing rounded. Legal statements cite the statute or regulation rather than commentary, and where an official source and a common belief disagree, the statute wins and we name the belief.

Every legal source in this section is linked, and every one of them was read on 3 September 2026. Click the citation and you land on the regulation itself, not on someone's summary of it. If a link has gone stale, that is a fault worth telling us about.

A .gov page isn't automatically current. Researching this site turned up a live US Customs page stating the opposite of the regulation it describes. So everything carries the date it was checked, and you can re-check the one fact that matters to you.

Origin isn't subject. Work tagged Accra often ships from London, and work tagged Bahia is often by a European artist painting Pelourinho. We record shipping origin separately, and say when an artist isn't from the place the work depicts.

Where to go

Every gallery, whether or not it shows a price

Most galleries in these cities publish nothing. They're still worth walking into — so they're all here, marked for what they actually do.

Who is making it

Artists with work listed

Pick a name to see their available work. The list grows as galleries come on.